A Dave Rawlings Take on "Smothered In Hugs" A Josh Homme Take on "Famous Blue Raincoat" A Mark Knopfler Take on John Lennon's "Jealous Guy" A Mark Knopfler Take on The Kinks "Strangers" A Neil Young Take on David Rawlings's "Cumberland Gap" A Pathway to Understanding Open D Tuning A Post-Rock Take on "Girl From Ipanema" A Ry Cooder Take on The Beatles' "Come Together" A Simple Arrangement of "Harvest" A Snarling Rendition of Blondie’s “Call Me" A Sprightly 12 Bar Blues Solo: Aiming for 3rds A Twangified Rendition of "Me and Bobby McGee" Air's "Playground Love" Amy Winehouse "Back to Black" Andy Summers Chords Any Phrase Appears Five Ways Arcade Fire "The Suburbs" Bass Tips for Guitarists Billy Joel's "Movin' Out" With Marc Ribot Attitude Billy Joel's "Vienna" Bluesy Skronky Leaps Bob Dylan's "Billy" As Played By Gillian Welch and David Rawlings Bouncy Hendrix Doublestops on Feist's "1234" Cat Stevens "Trouble" Chill Out with These Cascading Pentatonics and Caged Shapes Combining Influences & Playing to Changes in a Twangy Way Country Soul Hybrid Picking Workout Courtney Barnett "Charity" Cropper Chord Chops Curtis Mayfield "Think" Curtis Mayfield "We the People Who Are Darker Than Blue" Dave Rawlings 2nds Plus Carter Scratch = Modal Folk Grooviness Dave Rawlings Guitar Lesson: Capos, Crosspicking, Sublime Dissonance Dave Rawlings Machine "Short Haired Woman Blues" Dave Rawlings Machine "Sweet Tooth" David Bowie's "Life on Mars" David Bowie's "Starman" David Gilmour "There's No Way Out of Here" David Gilmour Pentatonic Triplets David Rawlings "Midnight Train" Desert Blues Drone Training Desert Hendrix: Iconic Licks and Leads Against an Arabian Modal Jam Dickey Betts Stutter Trick Diminished Dark Funk Workout Diminished Subs, 3rds, 6ths, and Scale Walks on "Dark Eyes" Dire Straits "Southbound Again" Dolly Parton's "Jolene" at 33rpm "Don't Worry Be Happy" (In B Minor) Dreamy Fills on Drive-By Truckers' "Danko/Manuel" Droney and Peaceful Major Pentatonic Motifs Elliott Smith "Between the Bars" Elton John "Bennie and the Jets" Elvis Costello "Shipbuilding" Elvis Costello "You Belong To Me" Expand Your Chord Vocabulary With This Andy Summers Workout Fleetwood Mac "The Chain" Freddie King "Yonder Wall" Fun With Octave Fuzz George Harrison Bends George Harrison Pre-Bends, Hammers, and Slides on "Cry Baby Cry" George Harrison's Eastern-Influenced Slide Playing George Harrison's "Isn't It A Pity" Gillian Welch "Caleb Meyer" Gillian Welch "Dear Someone" Gillian Welch "Everything Is Free" Gillian Welch "Hard Times" Gillian Welch "Look At Miss Ohio" Gillian Welch "Revelator" Guitar Parts Gillian Welch "Revelator" Solo #1 Gillian Welch "Scarlet Town" Gillian Welch "The Way It Goes" Gillian Welch "The Way It Will Be" Gillian Welch "Wrecking Ball" Guitar Noir Arrangement of Bob Dylan's "Love Sick" Guitar Noir Arrangement of Bob Dylan's "Señor (Tales of Yankee Power)" Guitar Zen: Improv Strategies Preview Solo Hendrix Doublestops and Country Bends on "When I Paint My Masterpiece" Hendrix Doublestops on "A Change is Gonna Come" Hendrix Doublestops on "All The Young Dudes" Hendrix Doublestops on "Bell Bottom Blues" Hendrix Doublestops on "Goddamn Lonely Love" Hendrix Doublestops on "Gold Dust Woman" Hendrix Doublestops on "Mack the Knife" Hendrix Doublestops on "Nothing Compares 2 U" Hendrix Doublestops on "The Night They Drove Old Dixie Down" Hendrix Doublestops on John Lennon's "Happy Xmas (war is over)" Hendrix Doublestops on Michael Kiwanuka's "Cold Little Heart" Hendrix Doublestops, Knopfler Tone on Lucinda Williams's "I Lost It" Hendrix Funky Chords and String Muting Hendrix Licks and Celestial 6ths on Leonard Cohen's "Bird on a Wire" Hendrix Licks and Leads on "Ain't No Sunshine" Hendrix-ian Doublestop Possibilities House of the Rising Sun How I Use Triads How to Adapt Drumset Grooves to Guitar How to Combine Blues & Minor Scales to Make New, Creepy Crossover Licks How to Combine Mixolydian and Blues to Dress Up Your Pentatonic Boxes How to Do Chicken Pickin' & Fingerstyle Leads Like Mark Knopfler How to Improvise a Tasteful Solo Using Pentatonic Scales and Barre Chord Shapes How to Structure a Successful, Non-Boxed, Non-Wanky Solo How to Use 6ths and Open Strings to Create a Neil Young Style Solo How to Use Chord Shapes to Do Cool Stuff With Standard Tuning Slide